Artist Statement
The balance between the smile and the fire of chaos Soul and sacrosanct work in synchronicity.
Not striving to infect Footed in silver detritus
Shining evidence of misalignment.
Us, immune to the why And monument of tarnish.
Still, in peace, we feed, consume, varnish Our bellies until coated with laughter.
Aiming to recreate a setting all familiar to us, one that poses conversation, laughter, and community and acknowledges ancestry, history, and habit: the table. Food, for me, is a language of understanding, a looking glass into the way of life for other cultures and our own.
Art and food have been layered conjunctively for centuries. The act of “food sharing” is far from novel—it speaks to something primal, something inherently human. As an art form, it thrives on interaction, naturally inviting conversation and challenging the boundaries of social expectation, renegotiation, and norms.
My practice draws from Nicolas Bourriaud’s concept of relational aesthetics (1998): creating situations that prioritize human interaction, blur the lines between art and life, and emphasize participation over passive observation.
I focus on the space that frames the dinner table—the subtle yet significant details that emerge between the acts of eating and gathering. The table itself becomes a symbol, a stage for exchange. The conversations that unfold around it shift over time, just as the dialogues I curate through my work do. I aim to pose questions rather than answers: Why? Or perhaps, what?
reveal?
Every element—from the menu to the artwork on the walls—is chosen for its material and symbolic resonance. These materials matter to both me and the message. I use contrasting print methods to reflect tensions within the food and art industries—a playful critique of the systems I’m deeply connected to.
Like a chef beginning with raw ingredients, my work starts with materials:
Steel—ubiquitous in the kitchen, found in everything from the pass beneath heat lamps to the knives tucked away in drawers or wrapped in cloth. It’s a shared language, a constant.
Spices—the essence, the flavor, the spark of the work.
Ceramics: What do you eat from?
Light—casting shadows that echo our rituals, both constructed and instinctive.
And in that shadowed space—what do we
Education
2021 - 2025
Limerick School for Art and Design
Exhibitions
Group
2023
2024
2024
2025
"The Story So Far" The Belltable, Limerick
"PCP3" The Church Gallery, Limerick School for Art and Design
"Kwaidan" The Hunt Museum, Limerick
"Unseen" Peoples Museum, Limerick